ZePrA | Auto Setup EN

Auto Setup

Create workflows with ZePrA’s Auto Setup Wizard

Auto Setup

Workflow Creation

ZePrA provides several auto setup methods to set up workflows for the most common color management tasks. The Automatic Setup Wizard also allows workflows that save ink, optimize the total area coverage (TAC), apply gradation corrections and proofing. It takes just a few steps to create Configurations and Queues.

To process files, either use a previously created DeviceLink profile, or use the SmartLink function to create a DeviceLink profile on-the-fly (SmartLink license required).

Setting Up Workflows with the Auto Setup Wizard

Select Auto Setup in the sidebar. There are seven different setup options for creating Configurations and Queues. The first two modes involve normalizing the data. General Information about Normalizing Data can be found further down this page.

Select a Setup Mode

Normalize and convert Colors to new Output Condition

The content of the PDF file is first normalized to the document color space or output intent and then converted to the desired target color space.

PDF files usually do not contain any information about the document color space. If there is no PDF/X file available for Normalization but only a PDF file, decide on a Document Color Space into which any existing ICC-based PDF objects will be converted.

There are two options to choose from:

  1. Use existing DeviceLink Profile
    Choose a DeviceLink profile for the configuration (e.g. from our DeviceLink sets, available from any ColorLogic dealer), and select it from the drop-down menu. The source and target profiles are set by the DeviceLink profile.
  1. Use SmartLink
    The SmartLink function creates DeviceLinks on-the-fly from source and target profiles.
    Note: Requires a SmartLink license. If the SmartLink function is not available, normal ICC conversions are performed for objects with embedded ICC profiles.
    For more information, see DeviceLink or SmartLink further down on this page.

Select the rendering intent for the calculation. More information can be found further down this page under Rendering Intent.

Prefer Output Intent: The output intent of the PDF/X file is used instead of the manually set document color space.

SmartLink MethodDefines the conversion settings. There are predefined methods available for traditional printing, large format printing, and digital printing, but custom methods can also be used.

Data processing:

RGB objects with embedded profiles are first converted to the document color space (normalized). If the SmartLink function is activated and an individual PDF object contains an embedded device profile, the device profile is used to create a DeviceLink profile on-the-fly. Embedded rendering intents are also considered. When normalizing, all images without embedded profiles are converted to the document color space based on the predefined profile.

CMYK objects with embedded profiles are first converted to the document color space (normalized). If the SmartLink function is activated and an individual PDF object contains an embedded device profile, the device profile is used to create a DeviceLink profile on-the-fly. The conversion is then performed using this DeviceLink profile.

If a Relative Colorimetric rendering intent is embedded in a PDF object, Auto Setup automatically activates the Blackpoint Compensation to ensure clean reproduction of details in the shadow areas.
Exception: PDF 2.0 files – see Black Point Compensation with PDF 2.0 files under Configurations/Options/Rendering Intents.

If the DeviceLink profile was created using the option to preserve pure primaries and secondaries, pure colors are kept pure in CMYK objects with embedded profiles.

To ensure precise color conversions, ZePrA completely recalculates the conversion of source and target profiles on-the-fly. The algorithms used are identical to those used in ColorLogic’s CoPrA profiling software.

There are five additional rendering intents available for SmartLink to avoid inharmonic color conversions that can result from differently calculated tables for source and target profiles (see Rendering Intents).

If SmartLink has not been licensed, a direct ICC-based conversion to the target profile or document color space is performed. This can contaminate pure CMYK colors, which can cause problems with overprinting elements.

The automatic setup wizard’s option to normalize first and convert afterwards provides the most consistent results for color conversions, as recommended by the PDF/X specification.

The default name of this queue starts with Convert.

Normalize Color to Document Color Space or Output Intent

The data is standardized, i.e. it is converted to the document color space or output intent (normalized).
For PDF files, all ICC-based PDF objects are converted from the embedded ICC profile via the embedded rendering intent to the document color space (output intent). After this step, all objects of the PDF file are color-matched to a consistent standard (document color space/output intent).

PDF files usually do not contain any information about the document color space. If there is no PDF/X file available for Normalization but only a PDF file, decide on a Document Color Space into which any existing ICC-based PDF objects will be converted.

After conversion, the final, normalized file consists only of a document color space and spot colors, if present.

If a Relative Colorimetric rendering intent is embedded in a PDF object, Auto Setup automatically activates the Blackpoint Compensation to ensure clean reproduction of details in the shadow areas.

Exception: PDF 2.0 files – see Black Point Compensation with PDF 2.0 files under Configurations/Options/Rendering Intents.

The following color conversions are performed during normalization:

  • Conversion of device RGB and ICC-based RGB objects to document color space
  • Spot colors remain unchanged (can be converted to the target color space if required)
  • Conversion of ICC-based CMYK to document color space, retaining pure colors and separation properties (when using SmartLink)
  • Assignment of ICC-based gray to the black channel of the document color space (prevents four-color gray)

The default name of these queues start with Normalize.

Save inks

The data is first normalized to the document color space and then optimized using either an existing SaveInk profile or a SmartLink SaveInk method. Three Ink Saving methods are available.

Selecting an Ink Saving method

 

The Save inks setup mode is available when the source and target profiles are identical. The optimized file remains in the same color space. The focus is on accurate color reproduction while reducing CMY inks and increasing black ink (K).

Use existing DeviceLink Profile: Select an existing SaveInk DeviceLink profile from the drop-down menu. ZePrA only shows profiles whose source and target profiles are identical.

Use SmartLink: Select the profile which matches the Document Color Space and choose from three standard Ink Saving methods (SaveNeutral, SaveStrong, SaveMaximum). It is also possible to define custom SaveInk settings in CoPrA and share them with ZePrA. These custom SaveInk settings are displayed below the dashed line (My Extreme InkSaving Profile in the screenshot above).

SaveNeutral: Moderately increases the amount of black in the neutral color ranges.

SaveStrong: Increases the proportion of black strongly.

SaveMaximum: Maximum ink savings with colorimetrically still very high accuracy while retaining the visual color impression.

Calculate Ink Savings: The Automatic Setup Wizard can calculate the ink savings for processed files. However, this calculation can significantly slow down processing. If faster data processing is desired, deactivate this option.

Note: The ink saving calculation can be enabled or disabled under Configurations/Options.

The default queue name starts with SaveInk.

Optimize Total Area Coverage (TAC)

The data is normalized to the document color space and the total amount of ink is reduced. This can either be done by using special profiles to reduce the total area coverage (TAC), or – if SmartLink is used – by specifying the Desired TAC value.

Adjusting the maximum ink coverage

The source and target profiles must be identical. The optimized file remains in the Document Color Space. The focus is on accurate color reproduction while reducing ink coverage.

Choose from two options:

  1. Use existing DeviceLink Profile: Select an existing TAC reduction DeviceLink profile from the drop-down menu. ZePrA only displays profiles with identical source and target profiles.
  2. Use SmartLink: Assigns a TAC to the selected Document Color Space on-the-fly (requires a SmartLink license).

Prefer Output Intent: The output intent of the PDF/X file is used instead of the manually set Document Color Space.

The default name of these queues starts with TAC.

Direct Color Conversion to new Output Condition

The data is directly converted to the target color space using embedded profiles, without normalizing to the document color space beforehand. This setup mode enables the best color space utilization of the target color space and is particularly suitable for media-neutral data, e.g. RGB image data with ICC profiles.

If the profile embedded in the file matches the profile defined as Document Color Space, the profile setting defined in the Document/Target tab is used instead of the settings in the Image/Vector tab.

In addition, the rendering intents of the PDF are ignored (the Ignore PDF Rendering Intent checkbox in the Options tab is enabled) and the rendering intents defined in the Image/Vector tab are used instead, which usually leads to an improved color rendering for direct color conversions.

Select either Use existing DeviceLink Profile or Use SmartLink.

Use existing DeviceLink Profile: Select a DeviceLink profile that converts from the document color space to the required output condition. All other settings for RGB, CMYK, Gray and Lab color spaces are set automatically.

Use SmartLink: Select the respective ICC profiles under Document Color Space and Target Color Space to create the DeviceLink on-the-fly. Define the intended Rendering Intent and the SmartLink Method that best fits your workflow process.

RGB objects with embedded profiles: Converts directly to the target color space and utilizes the maximum color space, however, the embedded profiles and the selected Rendering Intent are taken into account. This guarantees a consistent conversion and optimization of the data.

RGB data without embedded profiles: The sRGB color space is used, which can be changed in the configuration, if necessary.

In general, Blackpoint Compensation is enabled when the embedded intent is Relative Colorimetric.

CMYK objects with embedded profiles: The SmartLink function optimizes direct color conversion via the DeviceLink profiles. Embedded profiles/intents are considered.

The default queue name starts with Output.

Apply Gradation Curves only

Gradation adjustments apply external files on-the-fly to existing curves, adjusting process colors and/or spot colors without changing the document color space.

Gradation curves are a simple solution for applying gradation corrections to print-ready PDF/X-1a files consisting of CMYK and spot colors only.

There are two ways to correct gradations:

1: Select Curves

Select Linearization DeviceLinks created by CoPrA or previously imported files including curves (gradations). Previously imported files will be shown beneath the linearization DeviceLink profiles.

Gradation curves created with CoPrA’s Linearization tool are saved in the Profiles folder (/User/User name/Library/ColorSync/Profiles oder C:/WINDOWS/system32/spool/drivers/color/) and are automatically listed in ZePrA’s Select Curves drop-down menu. Only curves with a matching color space are shown. These curves are read only and cannot be edited with ZePrA’s Gradations tool. When changing the gradation curves (e.g. by overwriting the .icc file in CoPrA with differing linearization data), these changes will automatically be applied to all configurations using these curves. The location of the selected .icc file is not relevant (e.g. Profile or Auto Import folder).

2: Use Curves from File

Loads an external file that includes the gradation corrections for the process color(s) to be changed.

Gradation curves created with ZePrA’s Gradations tool are saved in the Profiles folder and are automatically listed in the Gradations tab drop-down menu under New/Edit. The curves can also be accessed by Load Curves/Use Curves from File . When changing the gradation curves with ZePrA’s Gradation tool, these changes will automatically be applied to all configurations using these curves.

Normalize and Document Color Space

Normalize: PDF/X-3 or PDF/X-4 files that contain RGB or CMYK objects with embedded profiles are normalized and the curves are applied to the normalized file.

Document Color Space: Define an ICC profile as the document color space for files with no output intent defined in the PDF file. Activate the Prefer Output Intent checkbox to ensure that any existing output intent always takes precedence over the specified document color space and is thus retained.

The default name for these queues starts with Gradations.

Proofing

ZePrA’s sophisticated technology – e.g. the quality of DeviceLink and SmartLink profiles and the spot color rendering of its advanced spot color module – can be used for proofing as well. This is especially useful as many RIPs do not support CxF/X-4 data and SCTV calibration nor have a spectral color prediction model for spot color rendering.

Procedure

Select Proofing under Setup Mode to create a proofing queue.

Select either an already created DeviceLink profile for the proof workflow – this can be an iterated DeviceLink profile created by CoPrA – or use SmartLink to create a proof DeviceLink based on your simulation profile and the proofer profile.

Use SmartLink: The DeviceLink for proofing is created “on-the-fly” based on the Simulation Color Space and the Proofer Color Space. Activate the checkbox Prefer Output Intent to use the output intent of the PDF/X file.

At this point you don’t have to select a rendering intent or SmartLink method as the appropriate settings will be set automatically to achieve best results (e.g. absolute colorimetric rendering and the use of no color exceptions). This includes typical settings for transparency flattening and spot color conversions, too. 

If required, the settings can be customized under Configurations once the configuration has been set up, for example to select the desired spot color library for spot color conversion.

Select a Media Wedge. The media wedge is added outside the media box for proof verification. It can either be a dynamic or an external media wedge.

Dynamic Media Wedge: Uses the colors of the simulation color space and all spot colors of the documents to be processed.

Media Wedge from File: Can be media wedges such as the FOGRA, UGRA, IDEAlliance® or other media wedges (as PDF, TIFF or PSD file).

Note: External media wedges need to be provided (and possibly bought from organisations) by the user. The Idealliance ISO 12647-7: 2013 control wedge for CMYK, Idealliance-3-Row-Digital-Control-Wedge® is available for free. The Idealliance ISO 12647-7 Control Wedge 2013 is included in ZePrA and available under /Users/Shared/ColorLogic/MediaWedges (Idealliance ISO 12647-7: 2013, 3-Row Digital Control Wedge® is a registered trademark of the IDEAlliance®).

Create the proofing configuration and queue:

Confirm the Queue Name suggested by ZePrA or enter a custom name.

Specify the Base Folder in which the queue is to be created. To create a Queue (Hotfolder) in the Base Folder, activate the Create Queue checkbox and the corresponding subfolder will be created.

To only create a new configuration, uncheck the Create Queue checkbox. The new configuration can be assigned to an existing queue in the Queues dialog later if required.

Use an existing Configuration as a Template

This Setup Mode uses an existing configuration with all custom settings as a template to create a new valid configuration with only the profiles adjusted. Depending on the profile adjustments made, the settings are modified accordingly to ensure proper functionality of the new configuration:

  • When the Document Color Space has changed, the default profile used under Images/Vectors is changed accordingly.
  • Iterated spot colors are removed when the target profile has changed (they are kept when the target profile has not changed).
  • Correction profiles are deactivated when the target profile has changed (they are kept when the target profile has not changed).
  • PDF/X settings are changed when the target profile has changed.

Procedure

First, select the existing configuration to be used as a template. The dialog provides some information about the profiles used as Document and Target Color Space, the Conversion Method, and the configuration Type.

In the next step, new profiles can be selected, which must be of the same color space and type as the original profile, e.g., if the base configuration uses a DeviceLink as the conversion method, the wizard will only allow DeviceLinks to be selected, if the base configuration uses SmartLink, the new configuration will also use SmartLink, etc.
Note: In contrast to the above restriction, when using a SmartLink configuration with Multicolor target profile, Multicolor profiles with other color spaces can also be selected as the new target profile. This is particularly helpful if the Multicolor profile variants created by CoPrA are to be used in ZePrA.

Finally, create the new configuration and queue:

Confirm the Queue Name generated by ZePrA or enter a custom name.

Specify the Base Folder in which the queue is to be created. To create a Queue (Hotfolder) in the Base Folder, select the Create Queue checkbox and the corresponding subfolder will be created.

To only create a new configuration, deselect the Create Queue checkbox. The new configuration can be assigned to an existing queue in the Queues dialog later if required.

DeviceLink or SmartLink

DeviceLink or SmartLink

Either use an existing DeviceLink profile in your configuration or use SmartLink to create and use a high-quality DeviceLink profile within the workflow.

Use existing DeviceLink profile or SmartLink

Use existing DeviceLink Profile

If files are processed without embedded profiles, and there is a matching DeviceLink profile, you can use it within your workflow. This DeviceLink profile then defines the source profile and the target profile.

Select the DeviceLink Profile to be used for conversion from the document color space to the target color space. All relevant PDF/X information is automatically transferred. (For more information, see ConfigurationsPDF/X)

In the Save inks and Optimize Total Area Coverage (TAC) modes, the drop-down menu DeviceLink Profile only lists profiles with identical source and target profiles.

Use SmartLink

The DeviceLink for the conversion is created “on-the-fly” based on source and target profiles. The Rendering Intent for the calculation can be selected manually. Instead of the manually set Document Color Space, read out and use the output intent of the PDF/X file by activating the Prefer Output Intent checkbox.

The SmartLink option creates high quality DeviceLink profiles to avoid the problems of typical ICC conversions and ensures optimal color conversions.

Sharing settings with ZePrA (CoPrA 5 and lower)

Due to the close connection between CoPrA (ColorLogic’s profiling solution) and our color server ZePrA, the profile settings from CoPrA can be used to calculate DeviceLink profiles in ZePrA.

By selecting the checkbox Share with ZePrA in CoPrA, the settings of your DeviceLink and SaveInk profiles are transferred directly to ZePrA and can be used there as SmartLink Method.

The SmartLink Method in ZePrA allows calculation of the necessary DeviceLink and/or SaveInk profiles for the conversion of PDF files on-the-fly, without the need to create these DeviceLinks in advance.

The DeviceLink tool in CoPrA: SmartLink can use the profile settings from CoPrA to create DeviceLinks in ZePrA

To do so, make all the required settings in CoPrA by entering all relevant information in the DeviceLink tool under Rendering, Exceptions, and Color GenerationClick Save As and enter a name for the setting. Confirm with OK, then activate the Share with ZePrA checkbox. 

The so created methods shared with ZePrA are then available as SmartLink Method in the drop-down menus of both the Auto Setup and the Configurations.

Note: Only saved settings can be shared with ZePrA. Default or edited presets cannot be shared.

Sharing settings with ZePrA (CoPrA 6 and higher)

The SmartLink Method in ZePrA allows to create DeviceLinks and SaveInk profiles for the conversion of PDF files on-the-fly, without the need to create these DeviceLinks in advance.
Due to the close linkage between CoPrA and ZePrA, profiling settings specified in CoPrA can be used by ZePrA to create the required profiles.

The settings are accessible via a shared folder which has the advantage that CoPrA and ZePrA do not need to be installed on the same computer. The shared folder must simply be accessible by both ZePrA and CoPrA, either over the network, a shared local folder or the cloud.

Procedure

In CoPrA

  1. Under Preferences, enable the checkbox Share CoPrA Settings with ZePrA Auto Import Folder and select ZePrA’s Auto Import folder.
    Note: The Auto Import folder must be activated in ZePrA as well.
    If the checkbox is enabled and the Preferences dialog closed with OK an information message will appear asking the user if all shared presets should now be copied to the defined Auto-Import Folder.

  2. In the DeviceLink tool, define all required settings by entering all relevant information under Rendering, Exceptions and Color Generation.
  3. Click Save As and enter a name for the setting. Confirm with OK, then activate the Share with ZePrA checkbox.
  4. CoPrA Settings created that way and shared with ZePrA are available for selection as SmartLink Method in the drop-down menus of both the Auto Setup and the Configurations settings.

Note: Only saved settings can be shared with ZePrA. Default or edited presets cannot be shared.

In ZePrA

Make sure to enable the Auto Import function in ZePrA’s Preferences and to use the same folder as CoPrA. CoPrA’s DeviceLink and SaveInk settings are now accessible in ZePrA and can be used there as a SmartLink Method. SmartLink can now create custom DeviceLinks which can be used in ZePrA configurations.

Basic information on the Auto Import folder

Files (such as ICC profiles, configurations, spot color libraries, gradations or SmartLink settings) that are moved or copied into the Auto Import folder are transferred to ZePrA’s internal dataset and can then be used by ZePrA.
When the file in the Auto Import folder is replaced by a newer version, it will be updated in ZePrA’s internal datasets as well.
Note: If a file in the Auto Import folder is deleted, it is not deleted in ZePrA’s internal dataset. For example if a SmartLink setting has been deleted in the Auto Import folder, it is still available in ZePrA’s internal dataset and if this setting is deleted in ZePrA’s dataset, it is still available in the Auto Import folder.

Document Color Space

The document color space serves as a reference to define a uniform color space for the colors of the PDF file.

  • CMYK color spaces are usually used for print production, as CMYK colors are generally used for printing.
  • RGB document color spaces are suitable for modern publications for mobile media.
  • Multicolor color spaces are often used in packaging printing or in modern digital printing.

ZePrA supports the full spectrum of color spaces (Multicolor color spaces require a Multicolor license). Individual RGB or CMYK objects with embedded profiles in PDF files are converted to the document color space. For professional print production, data exchange should always be based on the PDF/X standard.

Prefer Output Intent

By activating this checkbox, the output intent of the PDF/X file is used instead of the manually set Document Color Space.

In addition to the ICC device profiles of individual PDF objects, an output intent can be defined for the entire PDF document (an ICC device profile that describes the document color space).

The document color space in PDF/X documents is clearly defined as the output intent.

If Prefer Output Intent is activated, PDF/X files with various output intents can be correctly converted in a queue because the respective output intent is considered instead of the document color space.

Note: This function is only applicable for PDF/X files.

Rendering Intent

General information on the design of ICC device profiles

Rendering intents, such as Perceptual or Relative Colorimetric, contain large tables which, for example for CMYK profiles, convert either CMYK color values to Lab or Lab color values to CMYK.

Due to these two color conversion directions, there are two tables for each rendering intent. The tables are calculated from the measurement data when a color profile is generated.

If ICC device profiles are calculated from the same measurement data, but with different profiling programs, then the tables generated can differ considerably in some color ranges.

This is especially true for the two tables of the Perceptual intent, for the gray balance and also for the areas with very high color saturation in the two tables of the Relative Colorimetric intent (also called “Out of Gamut” colors).

For optimal and harmonious color conversion, it is recommended, especially with CMYK-to-CMYK color conversions, to ensure that the source and target profiles were calculated with the same profiling software.

However, profiles from different providers (such as Adobe, ECI or ColorLogic) are often used in practice, which can lead to problems in color conversions if the perceptual rendering intent is used.

These problems can be avoided by using SmartLink.

The SmartLink module uses the source profiles embedded in PDF or image data and automatically calculates the DeviceLink profile required for conversion between source and target for each object and applies it at object level. The main conversion from the document color space to the target color space is also carried out via SmartLink. SmartLink is ideal for processing external data from a wide variety of sources to ensure optimum color accuracy (via DeviceLinks).

Additional SmartLink Rendering Intents

There are several additional Rendering Intents for SmartLinks

 

The SmartLink module provides several additional rendering intents to avoid inharmonic color conversions, which can result from differently calculated tables for source and target profiles.

To ensure precise color conversions, ZePrA completely recalculates the conversion of source and target profiles on-the-fly. The algorithms are the same as ColorLogic’s CoPrA profiling software.

Note: These additional rendering intents are only available with SmartLink enabled. If the checkbox Use SmartLink is not activated or SmartLink has not been licensed, only the four standard rendering intents are available.

Automatic from Preset: This option is for Custom SmartLink Methods shared from CoPrA and takes whatever setting has been selected in the shared DeviceLink setting from CoPrA, including the rendering options, like a merge between two rendering options, chroma or saturation boosts, all exceptions and black generation settings.
Note: Automatic from Preset is only available in the drop-down menu when a custom SmartLink Method is selected. So, first select a custom SmartLink Method and the option Automatic from Preset will be on top of the list.
Note: In earlier versions of ZePrA (9 and lower) it is not possible to merge two different rendering options for color conversion, because the rendering settings of a profiling setting shared from CoPrA are always overwritten by the rendering setting selected in ZePrA.

Standard Compression: This is the default method. It uses a perceptual conversion that is well suited for all types of gamuts, i.e., also for conversions between color spaces of different sizes. Neutral tones are converted using a relative colorimetric approach, and the appearance of the gray axis always depends on the paper white of the target profile. Therefore, the gray axis of the transformed file will appear yellowish on a very yellowish paper. The same gray axis will appear bluish on a bluish paper. For very small color gamuts, for example in newspaper printing, the dark tones are raised slightly to achieve more image definition in these areas.

Black Point Compensation: Use Black Point Compensation to achieve the same results with a perceptive conversion as with “Relative Colorimetric with Black Point Compensation”. When converting from large to small color spaces, the image definition is preserved in the highlights and shadows, unlike with a pure Relative Colorimetric conversion. Neutral tones are converted using the Relative Colorimetric intent. Out-of-gamut colors are cut off.

Absolute Compression: This method is based on the absolute colorimetric rendering intent in terms of color reproduction and is recommended when the paper tones differ significantly (the color gamuts can be similar or different). In contrast to the Standard Compression and Black Point Compensation, the paper tint is compensated in the gray balance. The rendering of neutral colors is based on the absolute colorimetric rendering intent, without paper tone simulation in the highlights. If, for example, the paper white is significantly more yellow than in the reference, the gray axis appears neutral despite the yellowish paper tone. This ensures that the color appearance of the original file is preserved as best as possible on a target medium with a different paper tint. The contrast range in the highlights and shadows is adapted to avoid any loss of image definition.

Minimum Compression (Paper Absolute): This method is largely similar to the absolute colorimetric intent and only compensates close to the black and the white point.
In addition, the white point of the source color space is not simulated, but scaled to the white point of the target color space, thus ensuring a pure paper white.
Use this rendering intent to achieve a close reproduction, for example when using print standards such as ISO Coated V2 or GRACoL2006 Coated1v2 on a digital printer.
Note: As for the absolute colorimetric rendering intent, ensure that the target color space is larger or has at least a similar size to avoid any loss of image definition. For color conversions from larger to smaller color spaces use Absolute Compression to maintain the gray balance of the source color space.

Minimum Compression (Paper Relative): This method is largely similar to the relative colorimetric intent and only compensates close to the black and the white point. It is similar to Minimal Compression (Paper Absolute) but uses relative colorimetric instead.

Dynamic Compression: Compares the source color space with the target color space and generates a compression that minimizes out-of-gamut areas. This setting preserves the brightness of the original color space while reducing the saturation, and therefore also preserves the image definition. As for the Standard Compression, the gray axis of the conversion is built relative to the paper white of the target profile. This approach is well suited when the source and target profiles have a very large dynamic range and contrast, for example, in RGB-to-CMYK conversions.
Note: This method is now only available in ZePrA for compatibility reasons, and no longer in CoPrA. We recommend using Automatic Paper Relative instead.

Minimum White Compression: This method is similar to Minimum Compression (Paper Absolute). Both rendering intents compress the white point without paper simulation, however, there is an important difference: The Minimum Compression is a rather perceptual rendering that additionally compresses the black point, so the maximum dynamic range is utilized without loss of detail in the shadows. In contrast, the Minimum White Compression compresses the white point but not the black point, so a close absolute colorimetric match between source and target color spaces can be achieved. This can be useful for the color representation across various media, color matching or printing on slightly differing media. It can be regarded as close to absolute colorimetric rendering without paper tint simulation.

Note: Remember that the target color space should be larger than the simulated color space (or similarly large) to avoid loss of detail and vividness (similar to the absolute colorimetric rendering intent). For conversions from large to small color spaces, instead use our rendering intent Absolute Compression if the gray balance of the source color space is to be preserved.

Important: To ensure that an on-the-fly DeviceLink profile created with SmartLink uses the rendering intent set under Configurations > Images/Vectors, activate the checkbox Ignore PDF Rendering Intents in the Options tab.

Automatic Paper Relative: A paper-relative rendering without adjusting the gray balance, which differs between the source and target profiles due to differences in paper tone. A typical use case would be a more colorful rendering of a color space on a different printer where the gray balance does not necessarily need to match. For example, a campaign that has been prepared for ISO coated V2 but is to be printed on a large format inkjet printer. The gray balance is reproduced with the same coloration as the paper color tone of the target profile.

Automatic Paper Absolute: An absolute paper rendering with consideration of the paper color tone. A typical use case would be the same as Automatic Paper Relative, but with the paper color tone of the source profile taken into consideration. This results in a reproduction of the gray balance on the target printer that matches the color tone of the source profile and thus provides the best possible color appearance.

Important: For PDF processing ZePrA typically uses the rendering intent defined in the PDF for each object. When deviating from this rule, ensure that an on-the-fly DeviceLink profile created with SmartLink uses the rendering intent set under Configurations > Images/Vectors, select the checkbox Ignore PDF Rendering Intents in the Options tab.

SmartLink Method

The SmartLink Method considers the different requirements of different printing conditions so the printed color is correctly reproduced and optimally separated for the printing process.

Traditional Printing – Classic: Conversions for offset, gravure, or newspaper printing. The DeviceLinks created ensure that black and gray, as well as the primary, secondary and triplex hues of the source profile, are preserved. The total area coverage is taken from the target profile.

Choosing a SmartLink Method

Traditional Printing – Automatic: Select this setting when the colors and paper of the target color space are significantly different from the output intent or document color space. Separation is preserved, but Exceptions for special colors such as black and gray, primary, secondary, and triplex colors are automatically calculated based on both profiles.

Large Format Printing – Inkjet: The separation is characterized by a strong GCR and a late black start. The black point and total area coverage are automatically calculated to ensure the best color reproduction. The Exceptions for special colors, such as black and gray, primary, secondary and triplex hues, are automatically calculated based on both profiles. To avoid problems that can occur when colors vary between different inkjet printers or between the inkjet printer and the source color space (as with ISOcoated V2 or GRACol), the Large Format Printing – Inkjet method automatically calculates the required exceptions in those cases.

Digital Printing – Toner: For toner-based digital printers and office printers. This method uses the same DeviceLink presets for Exceptions as Large Format Printing – Inkjet. The separation method ensures that a high percentage of black is used. This will achieve a stable print and neutral gray balance. The total area coverage is taken from the target profile. The Exceptions for special colors, such as black and gray, primary, secondary, and triplex hues, are automatically calculated based on both profiles.

Creating Queues and Configurations

Creating Queues and Configurations
  1. Enter a Queue Name that matches the name of the configuration.
  2. Specify the Base Folder in which the queue is to be created. To create a Queue (Hotfolder) in the Base Folder, activate the Create Queue checkbox and the corresponding subfolder will be created.
  3. To only create a new configuration, uncheck the Create Queue checkbox. The new configuration can be assigned to an existing queue in the Queues dialog later if required.
    Note: Auto Setup overwrites configurations without warning.
    If a configuration with the same name is to be overwritten, a warning only appears if the existing configuration or queue has different settings. If the settings are identical, the configuration is overwritten without warning.

    In the final step of the Auto Setup the queue is created along with all required folders

Configurations

All settings related to color handling and PDF processing are defined under Configurations. This includes color conversion via ICC output profiles or DeviceLink profiles, handling of mixed PDFs (documents with data in CMYK, RGB, Grayscale and spot colors) and individual settings of gradation curves and spot colors. Various presets and optimization options are available for all settings.
In the upper part of the window, select a configuration, create, rename and save new configurations.
To duplicate an existing configuration, select New, enter the new name and Save. To use a duplicated configuration, assign it to a queue.

Using Queues

The Automatic Setup Wizard simplifies the setup process, once complete, the new configuration and queue can be used immediately. To use a queue, simply copy or move the PDF file to be converted to the Input Folder of the queue.

The queue is automatically started by placing a file in the hotfolder

PDF files in the Input Folder are automatically converted according to the color management settings and saved to the Output Folder. Original files are moved to the Done Folder. Files that have caused an error are saved in the Error Folder.

General Information

General Information on Normalization

When a normalizing mode is selected, the Document Color Space is the same as the Target Color Space and no conversion between document and target takes place. However, all images and vectors color spaces deviating from the Document Color Space profile are first standardized, e.g., converted to the document color space or output intent. This is called normalization.

With PDF/X files, all ICC-based PDF objects are converted from the embedded ICC profile via the embedded rendering intent to the document color space (output intent). After this step, all objects of the PDF file have been converted to a consistent “standard” (Document Color Space/Output Intent).

PDF files generally do not contain any information about the document color space (Output Intent). If there is no PDF/X file available for normalization but only a PDF file, decide on a document color space into which any existing ICC-based PDF objects are converted.

After conversion, the final, normalized file consists only of a color space and spot colors, if present. 

The following color conversions are performed during normalization:

  • Conversion of device RGB and ICC-based RGB to document color space
  • Spot colors remain unchanged (can be converted to the target color space if required)
  • Conversion of ICC-based CMYK to document color space, retaining pure colors and separation properties (when using SmartLink)
  • Assignment of ICC-based gray to the black channel of the document color space (prevents four-color gray)
Converting PDF files with Auto Setup

The easiest way to set up a color management workflow between various color spaces is to use the Auto Setup in combination with the SmartLink method. ColorLogic’s DeviceLink Sets (DLS) are also an option for standard color spaces. All sets are optimized so that the colors of both image and vector data of a PDF file can be reliably converted. The profiles are optimized and checked for smoothness and visually correct conversion, and have been proven in production.

All color information required for PDF/X is automatically set by Auto Setup, including the use of the target profile as output intent, normalization, and color conversion.

Gradients in vector graphics that consist of just one or two CMYK colors still contain only the original colors after application of the profile. The color values are merely adjusted for the output.

Example: If PDF objects are in the RGB color space and the Relative Colorimetric rendering intent is embedded, the Auto Setup queue automatically activates Black Point Compensation to ensure accurate detail reproduction in shadow areas.

Grayscale: Grayscale objects can be handled like CMYK, preserving gray and avoiding conversion to four colors. To do this, choose Use CMYK Conversion

from the drop-down menu Gray in the Images/Vectors tab under Configurations. If SmartLink is licensed, color conversions of objects with embedded profiles are always performed via SmartLink to ensure the best possible quality.

Spot Color: If the PDF files contain spot colors, they remain unchanged. To convert spot colors to process colors, the spot color settings must be adjusted under Configurations > Spot Colors.

Embedding profiles: By default, no ICC device profiles are embedded in the individual elements of the output file.

SmartLink: If the SmartLink function has been licensed, color conversions of objects with embedded profiles are always performed via SmartLink and use DeviceLink profiles in order to guarantee the best possible quality.

PDF Transparencies: If a PDF file contains transparencies, the individual PDF objects are processed in exactly the same way as the PDF files without transparencies. The colors of the transparencies are converted by default and the transparency information is preserved unchanged. If required the Transparency Flattening can be set in the configuration in the PDF tab under Transparency/Overprinting

Flattening is mainly required for transparent objects if there are problems after conversion while maintaining transparency and when spot colors are to be converted to process colors.

Converting Image Files with Auto Setup

TIFF, JPEG, PSD, or PSB image data are processed in auto setup queues the same way as image data of a PDF file. The conversion is based on the settings under Images/Vectors and Document/Target.

For pure image data conversion of TIFF, JPEG, PSD and PSB images from a source color space to a target color space, it is recommended to use the Auto Setup option Direct Color Conversion to new Output Condition and select one of two options in the Automatic Setup Wizard:

Option 1: Use a previously created DeviceLink profile for the conversion of the image color space to the target color space. The DeviceLink chosen in the Automatic Setup Wizard should be set to source profile of the image, for situations where images without embedded profiles are processed. The target profile is set by the Auto Setup

For images with embedded profile and images with other color spaces not defined under Document Color Space the settings under Images/Vectors are applied. Make sure to select the proper default profiles, the desired rendering intent and make sure that the checkboxes under Apply Embedded Profiles are enabled.

Option 2: Use ICC Profiles for document color space and target color space to calculate a DeviceLink “on-the-fly” via SmartLink, which requires a license for SmartLink. Choose the desired Rendering Intent and SmartLink Method for the calculation.

When using the SmartLink option, either a DeviceLink profile is created “on-the-fly” or a stored DeviceLink profile is used depending on the setting under Profile Assignments. Store the specific profile in the table in the Profile Assignments window to ensure that a specific DeviceLink profile is applied in the configuration.

Additional information regarding image files

ZePrA supports images with 8 bit and 16 bit color depth. The color depth of the input data is preserved with the conversion unless TIFF, PSD or PSB files are saved as JPEG files under Options/Image Quality. This will result in a color depth of 8 bit since only 8 bit is possible in JPEG files. Read more about this under Configuration > Options > Image Quality. ZePrA supports layers in PSD and TIFF files. Read more about this under Configuration > Options > Photoshop PSD and TIFF Conversion.

General Information

For high-quality color conversions, the source color space of the object to be converted should be known or readable. If no suitable document color space (ICC Output Intent) is assigned to the objects of the PDF file, the conversion is performed based on the document color space selected as source profile. Be sure to select a suitable document color space, as an unsuitable document color space will affect the quality of the conversion.

In most cases, Auto Setup converts PDF files to an output color space without assigning an embedded profile to each element. The output depends on the target profile (CMYK, RGB, Gray or Multicolor).

Data containing additional spot color information is not changed in a standard queue. All color information required for PDF/X is automatically set in Auto Setup, including the definition of the target profile as an output condition.

Auto Setup is great for creating queues for common color conversions. However, if the workflow requires special adjustments, changes can be made as needed under Configurations.

In the Queues chapter, you can learn more about how to handle the hot folders created by the Auto Setup Wizard or the Queues tool.

ZePrA | Queues

Queues

Manage print jobs

Queues

Overview

In ZePrA, files are processed via queues and each queue is assigned a configuration. A configuration contains all the necessary settings for converting and processing files. Queues and their configurations are managed separately, and configurations can be reassigned to queues at any time.The Define Queues window (Sidebar: Overview) provides an overview of the existing queues and their associated configurations.

Note: The Queue drop-down menu functions like a search field. Simply type in some letters of the desired queue and only those queues containing these letters will be shown in the list. Alternatively you may open the drop-down menu with the little arrow on the right and select a queue from the full list as usual. The settings of the selected queue are shown below under Folders and Options.

Define the sort order of the queues on the right side of the drop-down menu.

There are two options: Alphanumeric sorting Name (A-Z) or default sorting, where the oldest queues are at the top and the newest at the bottom of the list.

Automatically Setting up Queues

We recommend using the Auto Setup Wizard to create new queues for all typical standard-compliant workflows. It simplifies the process by automatically creating hotfolders and assigning the required configurations. If you work with ColorLogic’s standard DeviceLink profiles, the Auto Setup also adds all relevant PDF/X information automatically.

Queues can be created in Auto Setup

Manually Setting up Queues

To create a new queue, a Base Folder must be created, a Configuration must be assigned, and a Name must be entered.

New: Use the New button to create and name a queue manually. By activating the Automatic Setup checkbox, you can immediately assign a Configuration from the drop-down menu to the new queue. The sort order of the configurations in the drop-down menu can be changed from default to alphanumeric via the icon on right.

Select None from the Configuration drop-down menu to assign no configuration to the new queue, for example, if you want the queue to receive Job Control Files only.

The configuration of a queue can be changed at any time. To assign a different configuration to a queue, select the desired configuration from the Process with Configuration drop-down menu in the Options tab.

Rename: Rename existing queues.

Delete: To delete queues.

Save: To save edited queues.

Folders

Input Folder: Sets the location for the Input folder of the queue. Copy or move the files to be converted into this folder. The files placed here are automatically processed using the settings of the assigned configuration.

Output Folder: Converted files are moved into this folder. The job ID and configuration name are added to the file name.

Originals Folder: The original files are moved into this folder (Done).

Note: If you do not want to keep the original files after the conversion, you can remove the path to the Done folder.

Temporary Folder: If the files are to be copied to a server or network drive, it is recommended to create a temporary folder on the local system to avoid unnecessary traffic over the network.

Error Folder: Incorrectly processed or unsupported file types are marked red in the Overview and moved to the Error folder.

Output Folder with Warnings: Files that could be processed, but may have a problem, will be stored in the Output folder and will be marked with a yellow warning in the Overview. Alternatively, you can also define an Output Folder with Warnings in which such files will be moved after processing.

At program start, all folders of a queue (Input, Output, etc) are checked for integrity. If a folder is missing or not writeable, the queue is stopped and a workflow warning is displayed.
When the program is running, the Input folder is constantly checked, while the other folders (Output, etc.) are not (for performance reasons).
If a job is being processed and cannot be written or moved to its destination folder, all folders in the queue are checked. If a queue has been stopped after checking, it will be started automatically when the folder is accessible again.

Retain Sub Folder in the Input Folder: Preserves empty subfolders in the Input folder while also preserving the original folder structure, which is important for workflows that require these subfolders.

Note: Whole folders with files can be inserted into the Input folder of a Queue. Normally, the files of this subfolder are processed and a subfolder with the same name is created in the Output folder, where the processed files are placed. At the same time, the subfolder of the Input folder is moved to the Done folder, so that the Input folder remains empty afterwards. Select this check box to preserve empty subfolders in the Input folder.

Options

Process with Configuration: Assigns a configuration to the selected queue. The sort order of the configurations in the drop-down menu can be changed from default to alphanumeric via the icon on right. The configuration of a queue can be changed at any time.

Target File Name: Append Text: Adds a suffix to the original file name. By default, this suffix corresponds to the configuration name, but can be changed manually.

The keyword $Configuration is added to all newly created configurations. It appends the name of the configuration to the converted file.
For Job Control Files, $Configuration appends the specified configuration name, or the base configuration selected from the control file.
If a configuration and its configuration name has been edited via Hold and Edit (in the Overview), when using $Configuration this configuration name is appended.

Append Job ID: Uses the Job ID that is shown in the Overview dialog for the processed job and appends it to the original file name. If this function is disabled, a file that is converted a second time is overwritten in the Output folder using the same name.

Copy File Types: Transfers job tickets in JDF, XML, TXT format or similar file types. Enter the formats in the text box and separate multiple formats with a comma.

If a job ticket has the same name as the processed file, it is copied to the Output folder and moved to the Done folder.

Post ProcessAfter conversion, a file can be processed further. To do so, activate the checkbox and select an application or a script file (e.g. a batch file under Windows or a shell script under macOS) which is to be used to open the converted file. This is equivalent to a drag-and-drop operation of the converted file onto the selected application or script.

To select a batch file or a Java Script file, specify the path to the corresponding file. Example for a batch file: C:\CL\Temp\example.bat, example for a Java Script: C:\CL\Temp\example.js

Note: To use Java scripts, a Java Script runtime environment like Node.js must be installed.
If you activate the checkbox without selecting an application or script, the converted file will be opened in the file manager (Finder in macOS, Explorer in Windows).
After processing, PDF files are opened with the standard PDF viewer, for example Adobe Acrobat.
Please make sure that the correct permissions are assigned to the script file, otherwise execution of the script will fail. This can be done via the console (terminal) with the command “chmod 755 /path/to/scriptfile.sh”.

The Post Process function is not available for drag-and-drop queues.

Job Report: Creates a report in PDF, HTML, XML or text file format. Once created, it is saved under the original file name, followed by the REPORT addition.

Folder: Defines the location for the Job Report.

Delay(s): Processing of a job can be delayed which may be necessary if large files are copied to hot folders shared via the network using a slow connection. Enter the duration of the delay in seconds.

Priority: Their priority determines the order of the jobs to be processed. Change the Priority by right-clicking on the queue and change its default setting Normal to High or Low.

Notes: The use of notes is particularly useful when processing a large number of queues, configurations, and jobs with ZePrA. Notes have an integrated search function allowing information on machine parameters, paper information, or customer information to be linked to queues, configurations, or jobs, and later can be easily found using the search function in the Overview window.

Waiting Time (s) for Job Control Files: If Job Control Files are to be used to process a job, select the check box and enter the waiting time. This ensures that an associated Job Control File is waited for, rather than simply processing the job files directly as usual. Job Control Files contain the processing settings for the associated job and are placed in the Input folder with the files to be processed. For detailed information see Automation and Connectivity.

Notes: When a Job Control File matching a job is recognized, the job is processed immediately, even if the waiting time has not yet passed.

It is not mandatory to set a waiting time, since Job Control Files are always checked for, even if the check box is deselected. If the job to be processed and the Job Control File are placed in the Input folder simultaneously, an additional waiting time is rather not necessary. However, this depends on your workflow and the speed of the network.

If Missing: Specify how to proceed if no Job Control File is transmitted. There are three self-explanatory options:

  • Process Job as usual with Configuration
  • Process Job as usual and generate a Job Warning
  • Display Error
Using Queues
  1. Copy or move files to be converted to the Input folder of the queue. The files stored here are automatically processed using the settings of the assigned configuration.

  2. The converted file is then moved to the Output folder. The job ID and configuration name are added to the file name.
  3. The original file is moved to the Done folder.
  4. If the files are to be copied to a server or network drive, it is recommended to create a Temporary folder on the local system.
  5. Incorrectly processed or unsupported file types are marked red in the Overview and moved to the Error folder. Files that could be processed, but might contain a problem, will be placed in the Output folder and a yellow warning will be displayed in the Overview. Alternatively, you can also define an Output Folder with Warnings in which such files will be moved after processing.

Tip: Configurations can be tested easily by dragging and dropping files to the desired queue in the Overview. The converted files are saved separately with the name of the configuration and Job ID as the name extension in addition to the original files.

ZePrA | Share with ZePrA

Share with ZePrA

Use CoPrA’s DeviceLink settings in ZePrA

Share CoPrA’s DeviceLink settings with ZePrA

Sharing settings with ZePrA (CoPrA 5 and lower)

Due to the close connection between CoPrA (ColorLogic’s profiling solution) and our color server ZePrA, the profile settings from CoPrA can be used to calculate DeviceLink profiles in ZePrA.

By selecting the checkbox Share with ZePrA in CoPrA, the settings of your DeviceLink and SaveInk profiles are transferred directly to ZePrA and can be used there as SmartLink Method.

The SmartLink Method in ZePrA allows calculation of the necessary DeviceLink and/or SaveInk profiles for the conversion of PDF files on-the-fly, without the need to create these DeviceLinks in advance.

The DeviceLink tool in CoPrA: SmartLink can use the profile settings from CoPrA to create DeviceLinks in ZePrA

To do so, make all the required settings in CoPrA by entering all relevant information in the DeviceLink tool under Rendering, Exceptions, and Color GenerationClick Save As and enter a name for the setting. Confirm with OK, then activate the Share with ZePrA checkbox. 

The so created methods shared with ZePrA are then available as SmartLink Method in the drop-down menus of both the Auto Setup and the Configurations.

Note: Only saved settings can be shared with ZePrA. Default or edited presets cannot be shared.

Sharing settings with ZePrA (CoPrA 6 and higher)

The SmartLink Method in ZePrA allows to create DeviceLinks and SaveInk profiles for the conversion of PDF files on-the-fly, without the need to create these DeviceLinks in advance.
Due to the close linkage between CoPrA and ZePrA, profiling settings specified in CoPrA can be used by ZePrA to create the required profiles.

The settings are accessible via a shared folder which has the advantage that CoPrA and ZePrA do not need to be installed on the same computer. The shared folder must simply be accessible by both ZePrA and CoPrA, either over the network, a shared local folder or the cloud.

Procedure

In CoPrA

  1. Under Preferences, enable the checkbox Share CoPrA Settings with ZePrA Auto Import Folder and select ZePrA’s Auto Import folder.
    Note: The Auto Import folder must be activated in ZePrA as well.
    If the checkbox is enabled and the Preferences dialog closed with OK an information message will appear asking the user if all shared presets should now be copied to the defined Auto-Import Folder.

  2. In the DeviceLink tool, define all required settings by entering all relevant information under Rendering, Exceptions and Color Generation.
  3. Click Save As and enter a name for the setting. Confirm with OK, then activate the Share with ZePrA checkbox.

  4. CoPrA Settings created that way and shared with ZePrA are available for selection as SmartLink Method in the drop-down menus of both the Auto Setup and the Configurations settings.

Note: Only saved settings can be shared with ZePrA. Default or edited presets cannot be shared.

In ZePrA

Make sure to enable the Auto Import function in ZePrA’s Preferences and to use the same folder as CoPrA. CoPrA’s DeviceLink and SaveInk settings are now accessible in ZePrA and can be used there as a SmartLink Method. SmartLink can now create custom DeviceLinks which can be used in ZePrA configurations.

Basic information on the Auto Import folder

Files (such as ICC profiles, configurations, spot color libraries, gradations or SmartLink settings) that are moved or copied into the Auto Import folder are transferred to ZePrA’s internal dataset and can then be used by ZePrA.
When the file in the Auto Import folder is replaced by a newer version, it will be updated in ZePrA’s internal datasets as well.
Note: If a file in the Auto Import folder is deleted, it is not deleted in ZePrA’s internal dataset. For example if a SmartLink setting has been deleted in the Auto Import folder, it is still available in ZePrA’s internal dataset and if this setting is deleted in ZePrA’s dataset, it is still available in the Auto Import folder.

ZePrA | Configurations | Gradations

Gradations

Customize Gradation settings for specific configurations

Adding Gradations to a Configuration

Overview

Gradations are curves that can be applied to the individual data channels after color conversion. The procedure is similar to that for controlling the curves when imaging printing plates. Tone value corrections can be applied to both CMYK channels and to spot color channels with the help of gradations.

To apply gradation curves to otherwise print ready data with ZePrA, create corresponding configurations using the Auto Setup Wizard. The document color space will not be changed.

It is best to apply pure gradation corrections to print ready PDF/X 1a files that are comprised of only CMYK and possibly spot colors. For more detailed information Gradations and Auto Setup Wizard – Apply gradation curves only.

Applying Gradations

Via the Configurations option on the Sidebar, access the Define Configuration window and the Gradations tab. Not only can gradation adjustments be applied in the form of predefined gradation curves, but also gradation adjustments can be loaded from an external file and automatically applied to process and spot colors. This is also possible without any prior color management on process and/or spot colors. When updating the curves in this external file, the gradation curves are automatically adopted in the ZePrA configuration and applied to the printing data being processed. This enables short term adjustments of the pronging data without having to change the CTP curves in the RIP. With ZePrA, automatic color and printing control is possible not only for standard printing processes but also for digital printing machines. The gradation curves can be applied to both CMYK and the spot color changes of the file to be converted.

The basic colors Cyan, Magenta, Yellow, Black, as well as the entry All Spot Colors appear as fixed values at the top of the list and cannot be deleted or renamed. All Spot Colors allows to adjust all spot colors of the document quickly in one go. All DeviceN spot colors will be adjusted using the same (assigned) gradation curve.

The basic colors Cyan, Magenta, Yellow, Black, as well as the entries All Spot Colors (Images) and All Spot Colors (Vectors) appear as fixed values at the top of the list and cannot be deleted or renamed. All Spot Colors allows you to adjust all spot colors of the document quickly in one go. Since there are two entries for All Spot Colors (images and vectors) both entries must be changed if the same curve is to be applied to images and vectors. All DeviceN spot colors will be adjusted using the same (assigned) gradation curve.

Notes

  • When old configurations are loaded or imported and Apply Gradations to Images/Vector Graphics is disabled, the gradation rules will be modified accordingly.
  • Configurations which use individual image and vector rules should not be used in older ZePrA versions.

A right click on a channel opens a context menu which allows you to Cut, Copy, Paste or Delete the selected entry.

New: Creates further entries for adjusting the gradation of spot colors. Enter the Channel Name and select the required gradation curve.

Delete: Deletes the selected channel.

Edit: Opens the Edit Gradation Rule window to edit existing channels.

Channel Name: Enter a new name for the selected channel.

Gradation: Select a gradation curve.

Apply to: Applies the selected gradation curve to Images, Vectors or Images and Vectors.
Note: Individual curves can be applied to Images and Vectors by setting up two rules for one channel (for example, the Cyan channel), with one curve assigned to images and the other curve assigned to vectors.

Export and Import: This allows you to export gradation rules from one configuration and import them into another configuration.

Load Curves: Loads an external file that includes the gradation corrections for the process color(s) to be changed. There are two options to load gradation curves:

  1. Select Curves
    Select linearization DeviceLink profiles created by CoPrA or previously imported files including curves (gradations).
    Gradation curves created with CoPrA’s Linearization tool are saved in the Profiles folder and are automatically listed in ZePrA’s Select Curves drop-down menu. Only curves with a matching color space are shown. These curves are read only and cannot be edited in ZePrA’s Gradation tool. When changing the gradation curves (e.g. by overwriting the .icc file in CoPrA with differing linearization data), these changes will automatically be applied to all configurations using these curves. The location of the selected .icc file is not important (e.g. Profile or Auto Import folder).
  2. Use Curves from File
    Loads external files including the gradation corrections for the curves (gradations) to be changed.
    The curves created with ZePrA or duplicated from imported text files are saved as single-channel ICC DeviceLink profiles in the operating system’s profile folder. In addition to the curves included in ZePrA for tonal corrections from -20% to +20%, the drop-down menu also shows all gray-to-gray DeviceLink profiles located in the operating system’s profile folder. Note that only the curves created in ZePrA can be edited in ZePrA. Write-protected gradation curves can be duplicated and the duplicates can be edited.
    Imported text files are stored internally and temporarily, but not as DeviceLink profiles. These curves are therefore not editable in ZePrA.

Note: Gradation curves created with ZePrA’s Gradations tool are saved in the system folder for ICC profiles and are automatically listed in the Gradation drop-down menus under New/Edit. The curves can also be accessed via Load Curves/Use Curves from File. If you change the gradation curves using ZePrA’s Gradations tool, these changes are automatically applied to all configurations that use these curves.

Importing CTP Compensation Curves

Utilizing ZePrA to automate a workflow using external gradation files and import existing CTP compensation curves or correction gradations into ZePrA, a separate tool will be necessary that calculate the respective correction curves based on measurements on printed sheets and saves them into the following form as text or XML files:

BEGIN_DATA_FORMAT

GRAY    CMYK_C    CMYK_M    CMYK_Y    CMYK_K

END_DATA_FORMAT

BEGIN_DATA

0.00     0.00     0.00     0.00     0.00

1.00     0.69     0.58     0.53     0.65

3.00     2.02     1.76     1.62     1.92

5.00     3.23    2.60     2.38     3.28

10.00     6.95    5.92     5.52     7.41

15.00     10.80     9.64     9.02     11.93

20.00     15.10     13.29     12.43     16.68

25.00     19.53     17.19     16.06     21.52

30.00     24.07     21.88     20.37     26.37

35.00     29.08     26.91     24.94     31.26

40.00     34.12     31.50     28.69     36.24

45.00     39.33     36.43     32.94     41.68

50.00     43.80     41.84     37.96     46.59

55.00     49.20     47.98     43.81     51.42

60.00     55.37     54.01     50.29     57.48

65.00     61.91     60.59     57.36     63.44

70.00     68.46     66.28     63.78     69.11

75.00     74.90     72.54     70.73     74.58

80.00     79.24     78.89     77.66     79.52

85.00     85.08     83.09     82.28     84.93

90.00     89.42     87.13     86.64     89.33

95.00     93.74     92.60    92.40     94.02

97.00     95.66     95.25     95.13     96.03

99.00     98.18    98.01     97.98    98.31

100.00      100.00     100.00     100.00     100.00

In this example, Gray stands for the input values in percent (0-100%) and CMYK_C stands for the output values of the Cyan channel in percent (0- 100%). The example shows a step wedge with 25 gradations of the process colors in CMYK. The number of levels is arbitrary and depends on the measuring wedge.

Note: The curves created using ZePrA or curves duplicated from imported text files are stored as one-channel ICC DeviceLink profiles in the profiles folder of the operating system. The drop down menu shows not only the curves supplied with ZePrA for tone value corrections from -20% to +20%, but all Gray-to-Gray DeviceLink profiles contained in the profiles folder of the operating system. Please note that only the curves created in ZePrA can be edited in ZePrA. Imported text files are stored internally and temporarily, but not as DeviceLink profiles. A separate license is necessary in order to be able to use the Gradation functions. Read-only gradation curves can be duplicated in curve management and these duplicates can be edited.

Automatic Gradation Correction of an Existing Configuration

To furnish existing configurations with the required gradation adjustments using an external file and automate workflows:

  1. Open the Gradations tab in the Define Configurations window
  2. Click the Import button
  3. Select the external file with the required gradation adjustments

In some situations, the format will need to be changed in the Import dialog from configuration file (*.ccf) to text file (*.txt) to be able to import the gradation file. ZePrA assigns the gradation curves found in the file automatically to the right process colors. If spot color curves are also stored in the external gradation file, ZePrA creates the corresponding spot color channel names in the configuration and assigns the appropriate curve to each color. The curve loaded for the selected channel is displayed in a small overview chart.

The configuration is now linked with the external gradation file. If the file is updated because of new measurements on the printed sheet and needs to be overwritten with new gradation curves, ZePrA recognizes the changes and automatically adopts the updated curves.

Gradation curves that originated from loaded text files can be deleted using the Create Gradations dialog. When deleting gradations that are still being used in Configurations, a warning will appear. If this warning is ignored, the gradations in the respective configuration will be deleted and replaced with a linear gradation. Ultimately, when deleting one curve not only the single curve but all curves linked with the file will be deleted.

Applying Gradation Curves to Spot Color Channels

To be able to apply gradation curves to spot color channels, select New and enter the exact name of the spot color. The name of the spot color channel must match the name used for the spot color in the file.

Example:  If the spot color names in the file have different naming conventions, work with wildcard characters when entering the channel name e.g, to process a spot color Pantone 123c or Pantone 123 CVC with the same curve, use the (?) wildcard to replace exactly one number/letter combination behind the wildcard or use the (*) wildcard to replace all combinations. Calling a spot color Pantone 123* in ZePrA will allow the set curve to be applied to spot colors in the document that are called Pantone 123C or Pantone 123 CVC.

ZePrA differentiates between upper and lower case. A spot color created in the documents in all upper case will still be adjusted using the set gradation curve even if it was lower case in ZePrA.

In the Gradations tab, choose from three options to perform a gradation correction for spot colors:

  1. Import existing CTP compensation curves or curves created for gradation correction (read more about this in the chapter Special Settings/Create Gradation Curves). Gradation corrections from an external file may contain more than 16 spot colors and a corresponding number of curves. The XML file format is supported.

Note: If changes are made to the gradation corrections in the external file, ZePrA incorporates them “on-the-fly”. As of now, currently added spot colors with gradation curves are not automatically added in ZePrA. To do this, the file needs to be re-imported.

  1. Select the Cyan, Magenta, Yellow or Black gradation under the Gradation option. Gradation corrections for spot colors are performed with the same dot gains as the color channels Cyan, Magenta, Yellow or Black during conversion from document color space to target color space.

Note: If spot colors are to be preserved and printed as additional channels, then the dot gain must also be balanced out for the spot colors for color conversion from, for example, coated to uncoated paper. If no dot gain measurements are available spot colors, many users use the Black channel as an approximation of the dot gain curve for the spot color.

  1. Standard curves are available with an average TVI value increase of -20% to +20% in 5% increments and all Gray ICC DeviceLinks present. The Gray-to-Gray DeviceLinks permit accurate mapping of a tone value correction curve.

Note: To apply the set spot colors and gradation corrections of one configuration to a different configuration, use the Export button to export all channel names and settings of a configuration. The Import button can be used to adopt an exported setting in a different configuration. Identical channel names are overwritten when importing.

ZePrA | Configuration | Options

Options

Customize Options for File Processing

File Processing Options

Rendering Intents

Black Point Compensation: Enabled by default. Ensures that high-quality color conversion is performed without detail losses in the shadows when using the relative colorimetric rendering intent. This is especially important in PDF documents as relative colorimetric with black point compensation is not supported in PDF files before PDF 2.0. PDF 2.0 and higher does support black point compensation – see section below.

Typically the rendering intent to be used when converting or viewing PDF files is defined together with the embedded ICC profile of each object and is set by the PDF authoring application. In such applications, the default rendering intent is usually set to relative colorimetric with black point compensation but in older PDF files – due to the lack of support – this  becomes relative colorimetric (without black point compensation) leading to detail losses in the shadows after conversion. For that reason black point compensation is a separate option in the preferences of many PDF applications.

Tip: If you would like to color convert images or PDF documents for proofing using the relative colorimetric rendering intent (for example because you are using the same paper stock for production and proofing) then disable the Black Point Compensation checkbox.

Note: If the Black Point Compensation checkbox is disabled, all color conversions done with the relative colorimetric rendering do not apply black point compensation which may result in plugging of shadows. To avoid this when converting from Document to Target Color Space use SmartLink in combination with Black Point Compensation.

Black Point Compensation with PDF 2.0 files

Modern PDF 2.0 files support black point compensation in combination with the relative colorimetric rendering intent. Black point compensation in PDF 2.0 can have three states: On, Off, Default. Default means that application specific settings are used, e.g. whatever is defined in ZePrA.

  • If the Black Point Compensation checkbox is enabled for the processing of a PDF 2.0 file, black point compensation will be applied to all objects of the PDF (such as images, vectors, text, shadings) with relative colorimetric rendering for the states on and default. Black point compensation will not be used for objects with the state off.

  • However, if both checkboxes Ignore PDF Rendering Intents and Black Point Compensation are enabled then black point compensation will always be used.

Ignore PDF Rendering IntentActivating the checkbox Apply embedded profiles/intents in the Images/Vectors tab considers the embedded ICC device profile as well as the rendering intent embedded in the PDF file. If Ignore PDF Rendering Intents is disabled, which is the default setting in ZePrA, the rendering intents defined in each PDF document for each object are used while those defined in the Images/Vectors tab are ignored. This option only applies to PDF files. For image files (PSD, JPEG, TIFF), the rendering intents defined in the Images/Vectors tab are always used.

Enabling the checkbox Ignore PDF Rendering Intents prevents the rendering intent of the PDF file from being used, giving the priority to the rendering intents which have been preset in ZePrA under Images/Vectors. Note that in this situation, the rendering settings are no longer compliant with PDF/X rules.

Image Quality

TIFF, JPEG, PSD, or PSB image formats are processed in ZePrA  the same way as image data of a PDF file.

ZePrA supports images with 8 bit and 16 bit color depth. The color depth of the input data is preserved in conversions unless TIFF, PSD or PSB files are saved as JPEG files under Options/Image Quality. This results in a color depth of 8 bit since only 8 bit is possible in JPEG files.

Compression Method: Four compression methods can be used for the color conversion of images:

Automatic: Images of PDF files can use a variety of compression methods. The Automatic method typically ensures that all existing image formats and compression methods are preserved. The only exception is that JPEG2000 compressed images of PDF files are written as lossless ZIP compressed images.
This improves interoperability with various PDF workflows and viewers.

Lossless: Saves the image file in either PSD or TIFF format. JPEG data compressed into a PDF file is converted to ZIP. Multicolor files cannot be saved as JPEG.

JPEG: JPEG compression converts TIFF and PSD files to JPEG as well as uncompressed or ZIP compressed data of PDF files.

From Source: Ensures that all existing image formats are preserved, neither the color depth, type nor compression of the input data are changed.
Note: ZePrA does not support JPEG2000 image file formats such as *.jp2, *.jpf or similar.

Downsample Images: Changes the resolution of images. Specify the required resolution in dpi.

Threshold: Specifies the resolution from which images should be downscaled, for example, to optimize data for display on the Internet, to adjust the resolution for printing, or to avoid unnecessary resizing.

Note: ZePrA uses the “Catmull Bicubic Interpolation” method to compensate for the potential loss of sharpness that may occur when images are scaled down.

Tip: The bicubic (sharpen) interpolation method of Photoshop can produce sharper images than ZePrA, but unlike ZePrA it shows noticeable artifacts. As described under Sharpen, the image downscaling and sharpening functions can be combined in ZePrA, in which case ZIP compression is used for images.

JPEG Quality: Allows to define the quality of JPEG compression for pixel images and JPEG compressed images within PDF files. The compression rate is set to High by default, which can result in a larger file after color conversion for maximum compressed JPEG images.

Select one of the four predefined quality levels or determine an individual compression factor with Custom using the percentage.

Tip: ColorLogic recommends using the default setting High 90%.

Ink Amount

Calculate ink amount in converted file: Enable this option to add the section Ink Amount to the Job Report (accessible by right-clicking on a processed job in the Overview). It provides the calculated amount of ink for each channel and processed job. 

Note: For some use cases in digital printing saving channels means saving costs, and by using specific DeviceLink profiles, a reduction of channels is possible (e.g. removing Black from CMYK). Unused channels can be checked in the Job Report as those channels are marked either “-” or “0”. 

If the Job Report is to be saved automatically or used for automation with other tools such as Enfocus Switch or Impressed IWS, the new Raw data in XML format should be used. The information can be found in “ConvertedDocumentProperties” in “InkInfo“.

Calculate Ink Savings calculates the overall amount of CMYK ink saved when applying SaveInk profiles to each individual file. This calculation can be activated either manually with the Calculate Ink Savings checkbox or automatically when creating a SaveInk queue with the Auto Setup Wizard. The savings are indicated in percent in the Processed Jobs table of the Overview window and in the Job Properties window. The ink savings are displayed separately for each calculated file. To view the Job Properties, right click on a file in the main Overview/Processed Jobs window and select Show Job Properties.

Note: If Calculate Ink Savings is enabled, the checkbox Calculate ink amount in converted file is also enabled.

A SaveInk Report can be generated via the Tools menu. This report generates a detailed overview of each SaveInk queue that’s been set up and the jobs that were processed. The overview lists the overall ink savings across all queues, the savings per queue and the savings per job which can be beneficial when calculating costs. Reports can be created as PDF, TXT, HTML or XML files.

Photoshop PSD and TIFF Conversion

ZePrA 7 and higher allows to convert Photoshop PSD and TIFF files with layers. Layers can be deleted or retained depending on the requirements for further processing of the image files.

  1. Remove – keep Transparency
    Considers only visible layers for conversion. All image elements and text are color converted. Removes layers but transparent areas can still be used and seen. With regard of layers the resulting image will be similar to Photoshop’s Merge visible option.
    Note: Make sure to enable only those layers of the PSD file that are supposed to be visible in the converted file before converting with ZePrA.
  2. Remove – no Transparency
    Results in a converted PSD file without any layers and without transparency. With regard of layers the resulting image is similar to Photoshop’s Flatten option.
  3. Remove – add Transparency Channel
    Generates a converted file that has no visible transparency (the areas with checkerboard are gone). Visibly the file looks the same as converted with Remove – no Transparency. In contrast to this option all areas that had transparency in the original file are retained and added in an alpha channel called Transparency. This allows for further editing of the alpha channel mask in Photoshop. The mask can as well be used for reintroducing the transparency into the file, if required.

  4. Retain Layers, if possible
    Retains all layers and their visibility status, if this is possible. All layers will be converted including those that are disabled. Colors in text and effects are converted as well.
    Spot color conversion to CMYK while retaining layers:  Each spot color that is converted to CMYK is in a separate layer after conversion. This way, the spot color conversion can be adjusted separately. This is a special feature of ZePrA.

    Please note that the color rendering of the spot colors converted in Photoshop depends on the general rendering of layers in Photoshop which may not be visually perfect. The big advantage of these additional layers is that it is still possible to edit the spot color conversion while retaining layers and transparent areas.
    Notes: ZePrA allows conversion to a Multicolor profile but in this case layers can not be retained. The reason is a limitation of Photoshop which does not support spot colors in a layer – please read the General Considerations below. If ZePrA recognizes a Multicolor target profile layers will be removed and a job warning is displayed.
    If ZePrA can’t convert a text layer, the following job warning is displayed: A text layer has possibly not been color converted.
  5. Retain Layers, if possible and remove Smart Object related data
    Retains all layers and their visibility status, if this is possible. All layers will be converted including disabled layers. Smart Objects are removed and a layer is added containing a correctly color converted image representation of the object.
    Note: Smart Objects in Photoshop can be external files and as they cannot be color converted it may be risky to keep them in the converted file. Use this option to remove all Smart Object related data.

General Considerations

  1. Photoshop PSD files with layers created with current versions of Photoshop may not be compatible with other applications, such as ZePrA. To avoid such problems, activate the checkbox Maximize Compatibility for PSD files with layers in the Photoshop Format Options.
  2. Layers and transparency are special Photoshop functionalities which may not be used by other applications.
  3. Especially for TIFF files layers and transparency will mainly work in Adobe Photoshop and partly in other Adobe applications but might not work in other apps. In order to retain transparency in TIFF files, for example to place the file in Adobe InDesign, you should check the Save Transparency checkbox in Photoshop’s TIFF Options dialog. If this option is enabled placing works also with the converted TIFF file, with the exception that the preview in InDesign’s placement options dialog is opaque.
    Note: TIFF is supported by ZePrA if the Pixel Order is set to Interleave. The alternative pixel order Per Channel is not supported.
  4. Color conversion images with retaining layers may yield different visual results compared to the flattened images. This depends on several aspects which can all have a big impact on the color view of converted images with layers in Photoshop:
    a) Photoshop always calculates the preview of an image with the layers in its stacking order and visibility. This is true except for spot colors which are overprinted on top of the fully composited image.
    b) Spot colors can not be in a layer. Read more about the limitations of spot colors in Adobe Photoshop’s online help.
    c) The layer effects used: Adjustment layers are not converted when converting with retaining layers in ZePrA which can have a different effect on the converted file than the adjustment layer had on the original file. In some cases adjustment layers can’t work properly in Photoshop if the color space has changed after conversion. A job warning message will be displayed if a color space change (called mode change in Photoshop) has been done with files with adjustment layers.
    d) Photoshop layers with smart objects will not be converted when converting images with layers and layers are to be retained. In this case the content of the smart object will not be changed and left the way it is. This can cause some issues, especially if color spaces have been changed (e.g. RGB to CMYK).
    e) Transparency effects added to layers might look different after conversion.

Note: If color accuracy is the most important aspect of your PSD and TIFF file conversion, we recommend using one of the layer removing options. If it is more important to edit layers after color conversion rather than color accuracy then use the Retain Layers option.

Exceptions

Text and vector graphics are independent objects in PDF documents. For both types of objects, it can be prevented that purely black vector graphics or texts are built up in four colors after an ICC conversion.

Preserve Black and Gray for Vector Graphics (RGB, CMYK): Converts RGB black to pure CMYK black and preserves pure CMYK black. All gradations of gray created as vectors are also preserved. A 50% K gradation remains unchanged at 50% K. A medium gray RGB gradation with RGB=128/128/128 turns 50% K after conversion from RGB to CMYK.

Leave Text Elements unchanged: Converts only vector graphics, but not text.

NoteBoth functions are not necessary when using ColorLogic DeviceLink profiles when the exceptions for 100% Black and Gray have been selected, since these DeviceLink profiles maintain 100% Black and Gray, while Gray is also adjusted in brightness and linearity. We therefore recommend using such DeviceLink profiles.

Preserve White for Images and Vectors: When enabled, areas with  0% ink are preserved and will not be color managed.
Typically, when converting files, image and vector areas that were originally designed to be transparent and do not use ink (e.g., 0% ink or white) are also converted using the selected color management settings. When using perceptual rendering intents this leads to 0% ink in the converted file, and in case of proofing with the absolute colorimetric rendering intent this results in a paper simulation. In both cases, ZePrA ensures that the correct paper white (either 0% ink or paper simulation) is used and will place the paper white under the entire art box. In some cases, especially when printing on transparent foils and using white inks, this is undesirable since areas with 0% ink are supposed to be transparent after conversion.

Note: When the exception is enabled and there is a strong paper simulation in the converted file, there will be a hard edge between the preserved white and close colors such as 1%.

Sharpening

Lack of sharpness is usually already compensated for by the camera or the integrated recording software. In addition, the Sharpen function is also used as a creative option in image processing programs.

ZePrA uses the “Unsharp Masking” algorithm for sharpening, which is also used by Adobe Photoshop. Sharpening images involves intensifying differences in brightness or color between two adjacent pixels. This can lead to lines between image areas with different brightness/color when sharpening strongly.

With ZePrA’s Sharpen function, images can be sharpened after color conversion. In media production, there are several reasons for using sharpening:

  • To compensate for digitalization shortcomings (digital photo or scan)
  • Sharpen as a creative option
  • To compensate for loss of detail after changing the image resolution
  • To compensate for shortcomings in the printing process (e.g. screening)

Sharpening of image data can be applied to individual color formats (CMYK, RGB, Multicolor, Gray, Lab) or all color formats simultaneously.

Sharpening generally takes place after color conversion. In certain situations, for example when a transparency reduction is to be performed at the same time, images are sharpened before conversion.

Sharpening Presets

Three presets are available for sharpening – in addition to the option not to sharpen. Custom settings are also possible.

Note: Files that were created in a controlled, in-house working environment can usually be sharpened stronger.

Preset

Moderate Sharpening of all Images: Recommended presetting. Compensates for typical anomalies in the printing process.

Strong Sharpening of RGB and Gray Images: For media-neutral workflows that frequently use high-resolution RGB and Gray images.

Moderate Sharpening of downsampled Images: Compensates for minor sharpening losses that can occur, for example, when downscaling.

Custom: Allows all sharpening parameters to be defined individually. An Amount of 80% and a Threshold of 8 usually provide stable results.

The following parameters can be set individually:

Radius: The wider the radius, the wider the line created during sharpening. The choice of the correct radius depends on several factors, such as the usual viewing distance or the resolution of the printing process used. For more information see the section on the relationship between scaling and image resolution below.

Amount: Indicates the intensity of sharpening in relation to the selected radius and should take into account the sharpness of the original image and the anomalies of the printing process.

Threshold: Describes the difference in color or brightness at which the sharpness filter will apply. The lower the threshold, the more image areas will be sharpened and the greater the risk that unwanted image artifacts will also be sharpened. The usual values here are 2 to 10.

Tip: Too much sharpening due to an excessively high Radius and too much Amount can lead to an unnatural image display. Depending on the Sharpening settings, artifacts that were previously not visible can now be visible and over-emphasized. This applies in particular to the square patterns of JPEG compression or the image noise in dark areas of digital photos.

To learn more about the special work processes/flattened transparencies and sharpening, see Working with Transparencies.

Image-based vs Output-based Sharpening Radius

The sharpening Radius can be defined in two different ways: image-based or output-based.

Image-based sharpening: The Radius is specified in pixels. With a radius of 2 pixels, the effective width of the sharpening is correspondingly 2 pixels. Corresponds to the method of the “Unsharp Mask” filter in Photoshop.

If a sharpened image is placed in a layout program, the visually perceived effective width or radius of the sharpening depends on the image resolution in pixels per inch (ppi) and the scaling in the layout program.

Example: If you specify a radius of 2 pixels for an image with 288 ppi resolution and place it in a layout program with a 100% scale, the visually perceived radius of sharpening is 0.5 points (0.18 mm). This results from the fact that 72 points represent one inch. For an image with 288 pixels per inch, one pixel is 0.25 points (0.09 mm) wide.

Output-based sharpening: The sharpening radius (in points or mm) remains the same for images with different resolutions or scaling in the layout program. Since output-based sharpening mainly compensates for detail losses of the output system (e.g. due to rasterization), it is ensured that the sharpening radius of all images in the document counteracts the detail loss of the output in a comparable way.

sharpening-2 sharpening-one

Correlations Between Scaling and Image Resolution

If you reduce the image from the previous example with 288 ppi resolution to 50% in the layout program, the image resolution changes to 576 ppi. An output-based sharpening with 0.5 points results in a doubled radius of 4 pixels.

Typical image-based sharpening radii of 300 dpi images with 100% scaling in the layout program correspond to the following values of output-based sharpening in points:

0.8 pixels = 0.19 points
0.9 pixels = 0.22 points
1.0 pixels = 0.24 points
1.1 pixels = 0.26 points
1.2 pixels = 0.29 points
1.3 pixels = 0.31 points
1.4 pixels = 0.34 points
1.5 pixels = 0.36 points
1.6 pixels = 0.38 points

Converting the Width of an Image Pixel of Any Resolution into Points

The following correlation applies:

Radius (in points) = 72 / Image resolution (in ppi)

Note: Adobe Photoshop uses the term dpi (dots per inch) instead of ppi (pixel per inch).

The radius of the sharpness should not be larger than the raster width in the print. The following table shows the raster width and the radius of the sharpness (in mm) in a ratio of 1:1:

60 l/cm= 0.17 mm (0.48 points)
70 l/cm = 0.14 mm (0.40 points)
80 l/cm = 0.13 mm (0.37 points)
90 l/cm = 0.11 mm (0.31 points)
100 l/cm = 0.10 mm (0.28 points)
110 l/cm = 0.09 mm (0.26 points)
120 l/cm = 0.08 mm (0.23 points)
200 l/cm = 0.05 mm (0.14 points)

l/cm = lines per centimetre

If you are printing with a 70 l/cm screen ruling, the radius should be 0.14 mm or less.

The sharpening radius (in mm) corresponding to a given screen ruling can be calculated using the following formula:

Radius (in mm) = 10 / screen ruling (in lines per centimeter)

Sharpening and Image Resolution in Relation to Viewing Distance, Printing Process and Screen Ruling

The radius of the sharpening can be determined by taking the viewing distance, the printing process and the screen ruling into account.

The maximum resolution of the eye – depending on the contrast of the structures and the position in the field of view – is approximately 0.2 mm (127 pixels per inch) at a viewing distance of 1 m or approximately 0.05 mm (508 pixels per inch) at a viewing distance of 25 cm.

The image resolution and effective width (or radius of sharpening) should only be adjusted to the print resolution if the selected printing method is capable of reproducing details in the resolution of the eye for the respective viewing distance. To be on the safe side, the image resolution should be approximately 1.5 times higher than the print resolution or the assumed viewing distance.

Example 1: An offset print with a screen ruling of 70 l/cm (178 lpi) can reliably reproduce details up to 0.14 mm wide, which also defines the maximum radius of sharpening. With a 1.5-fold reserve, the image resolution should be at least 267 ppi.

Example 2: At a trade fair stand viewed from a distance of 1 m, the normal eye can detect details down to approximately 0.2 mm, which determines the radius of sharpening. With a 1.5-fold reserve, an image resolution of 191 ppi is sufficient.

Notes and Tags

Custom notes and tags are linked to the selected configuration. They can then be used to find the associated configuration using the Search

In the Overview dialog, for example, a tag (or note) can be used to find configurations based on that tag (or note).

Tags can be added using the Add button and can be removed from a configuration using the Delete button. Clicking on the Add button allows either selecting an existing tag or creating a new tag.

Tag Management

All existing tags are listed in a table under Tag Management. It can be opened via the Tools menu and is especially useful if tags are to be edited or removed from several configurations. The Usage column indicates how many configurations use a certain tag. With the buttons on the right New tags can be entered and existing tags can be removed (affects all configurations) or renamed (also affects all configurations).

ZePrA | Configurations | PDF

PDF

Define Settings for PDF Processing

Define Settings for PDF Processing

In the Configurations/PDF tab, Transparency/Overprinting, PDF/X-specific information, Advanced Options and PDF Layer rules can be defined.

PDF/X-specific information is recommended when ZePrA is used to create the print data. The print shop receiving the PDF/X data can determine from the PDF/X entries for which print standard the PDF/X files have been optimized.

ZePrA supports the following PDF/X standards:

  • PDF/X-1a
  • PDF/X-3
  • PDF/X-4
  • PDF/X-5n

Transparency/Overprinting

PDF/X

PDF/X-specific information is recommended when ZePrA is used to create the print data. The print shop receiving the PDF/X data can determine from the PDF/X entries for which print standard the PDF/X files have been optimized.

PDF/X Output Intent: The output intent is a color profile containing the printing color space for which the PDF file was created.

Four presets are available in the drop-down menu:

Selection of the PDF/X Output Intent

 

Embed Target Profile: The default setting. The target profile is embedded as output intent

Embed different Profile: A manually selected profile is embedded as output intent

No Output Intent: Removes the output intent

Don’t change: Output intent remains as is.

Note: If a Correction DeviceLink Profile has been selected in the Document/Target tab under Target Color Space and the checkbox Embed updated Target Profile instead of the Target Profile has been activated under Settings, then this corrected target profile is embedded as output intent.

Output Condition Identifier: Indicates the color measurement data on which the color profile of the output intent is based. This information is important because there are profiles with sometimes quite different names for print standards from different providers. If a print shop receives PDF/X data from users who work with different profiles, it can use Output Condition Identifier to determine whether it is a profile for an industry standard or a custom profile.

Output Condition Identifier: Enter the description of the printing standard for which the PDF/X data was optimized.

Information: Customer, job, printing process or file specific entries can be entered here.

Registry Name: At www.color.org the ICC maintains a registry for colorimetric data and output conditions representing international printing standards. If a print shop works with many different suppliers, it is advisable to agree on a name/output condition identifier registered with the ICC.

Import: When a PDF/X file is loaded using Import, ZePrA extracts the PDF/X information it contains. It is then no longer necessary to enter the information manually.

Note: When using ColorLogics DeviceLink Sets with the extensions CoLoV3/V4/V5/V6, they contain information that is automatically entered in the corresponding fields for PDF/X information in ZePrA. When creating Queues with Auto Setup, no manual entries in the PDF/X information are necessary when using ColorLogic DeviceLinks. Similarly, no manual entries are necessary when working with a target profile that ZePrA recognizes as a standard output profile.

Note: For custom DeviceLink profiles, CoPrA’s Profile Manager tool allows to make the entries required for automatic transfer of PDF/X information to ZePrA very easily in the Workflow tab.

Tag PDF Objects (ICCBased): Assigns the target profile to each object in the PDF file after color conversion. Can be used if a PDF file is not a PDF/X file, but you want to ensure that the color information for images and vectors is correctly defined with the target profile. By default, this option is disabled and we recommend using it only when necessary.

Advanced Options

PDF Passwords: Passwords in PDF files prevent data from being converted. Enter the password to remove the password protection and to enable conversions.

Pages: Specifies which pages are converted for PDF files with multiple pages. Pages can be selected individually if they require different color conversions.

Selection of pages to convert

 

Convert all Pages: The default setting. Converts all pages of the PDF document

Convert Page Range: Converts specific pages of a multi-page PDF document. Enter the relevant page numbers or range. Multiple page numbers are separated by commas (for example 3,5,8), page ranges are hyphenated (for example 5-9).

Don’t convert these Pages: Converts all but selected pages.

Convert these Pages and remove the remaining Pages: Extracts and converts the specified pages. The remaining pages are removed.

Remove these Pages and convert the remaining Pages: Removes the specified pages. Converts the remaining pages.

Additional page selection rules can be selected by clicking the arrow button

zepra5_pdf-advandedpageoption2

Enhance RIP Compatibility of complex Graphical ElementsZePrA converts all objects, including vector shading, with high accuracy and 16-bit precision. For every shading created based on a function in the original file, it is necessary to use a very large LUT (look up table) to ensure a correct color transformation.

Some RIPs (e.g. EFI Fiery and Global Graphic Multi RIP) have issues in handling 16-bit shading and large LUT’s. To avoid issues and to speed up processing time of certain RIPs, the option Enhance RIP Compatibility of complex Graphical Elements can be used. This option is disabled by default in all existing configurations and for all new configurations created using the Auto Setup Wizard. Activate this option whenever processing issues with a RIP occur after converting files with ZePrA.

Remove private Data of other Applications: Removes private application data from PDF files. Such data can be stored optionally by Adobe Photoshop or Illustrator when saving files as PDF.

However, other programs can use so-called “piece information” in PDFs as well to place non-public application data in PDF files. This allows the subsequent opening and editing of the original file in the previously mentioned applications. However, for color converted files this application data can be misleading as it will not be converted. Reopening these files in the above mentioned applications will then only display the original but not the converted color information. Additionally, PDF files which contain piece information can be significantly larger. To obtain smaller files (without piece information after conversion of PDF files) select the function Remove private Data of other Applications.

PDF Layers

ZePrA 7 and higher supports ISO 19593-1:2018 (Processing steps for packaging and labels). It is common practice in the packaging segment and other segments of the printing industry to work with PDF files that contain graphic objects to be printed and additional graphic objects and metadata for use in other steps in the production of the final product. These non-printing PDF objects and metadata are important for processing steps like die cutting or creasing.

Definition of processing step: Step in production of print products other than regular printing of color on the print surface. Example: Cutting, printing of white, varnish or similar. A layer is recognized as a processing step by its metadata in the layer dictionary of the PDF (“optional content group”). The feature also works for layers which are not covered by the “Processing Steps” standard. In this case, the layer name is specified by the user.

The PDF Layers feature allows you to define rules which specify how individual layers are processed. When applied to PDF files, only the content of selected layers can be converted, while the content of unselected layers remains untouched or can be deleted.

Export and Import: These functions allow you to export rules from a configuration and import them into another configuration.

Procedure

Double-clicking a rule or hitting New opens the PDF Layer Rule dialog. Each rule specifies the processing of the selected layer(s). The following options are available:

Layer Name: Enter the name of the layer to be associated with a Processing option. Layer names may contain wildcards, e.g. * means all layer names.

Invisible Layers: Selects all layers which are switched off and are therefore invisible in PDF viewers such as Acrobat.

Processing Steps: Defines layers which are marked as Processing Step according to ISO 19593-1. The processing step type can be chosen from the menu. All means all processing steps. Custom means a processing step name as specified in the text field.

Processing defines how a selected layer is to be treated:

  • Regular Conversion:The layer is converted as usual.
  • Don’t Convert: Excludes layer from the color conversion.
  • Remove: The layer is removed from the converted PDF file.

General considerations

  • In PDF files, graphical elements can be associated with any number of layers. For each element, ZePrA searches the list of layer rules from top to bottom for a rule that matches the layer name of that element. The first matching rule found will then be applied. Subsequent rules will be ignored, which means, that only one rule is applied to each graphical element.
  • If an element is associated with more than one layer and there are several matching rules for these layers with different processing options, for example, if the first layer is set to Don’t Convert and the next is set to Remove, the result depends on the order in which the rules appear in the list.
  • Make sure to list layer rules in an appropriate order in ZePrA. Open the context menu and use Cut to cut a layer, select a different position of the mouse and Paste to change the order of rules at any time.
  • Layers set to Remove will be removed from the OCProperties list and  will not appear in the layer panel of Adobe Acrobat.
  • Spot color conversion for spot colors which were removed with layers do not appear in the job report.
  • When a file is flattened, it’s layer structure is destroyed. Therefore, to preserve a layer, ZePrA extracts it from the PDF before flattening and merges it thereafter.
  • A potential special error can occur when layer rules preserve  layers that are merged at the end of the painting order. This means if in the original file a part of a preserved layer is covered by another element which is painted later, this layer is no longer covered in the converted file. Currently, there is no solution for this problem, on the other hand it might be of no importance in practice.
  • ZePrA can rasterize a file to PDF while retaining the layers. The result is a single image containing the rasterized document with the layers on top.